6,319 Royalty-Free Audio Tracks for "D 804 – String Quartet No. 13 In A Minor"

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02:21
Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)
Author: No machine-readable author provided. Poniol60 assumed (based on copyright claims).
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03:21
Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)
Author: No machine-readable author provided. Poniol60 assumed (based on copyright claims).
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00:09
*Hundred-sixty-ninth subharmonic on C = G♯. Just: 256/169 = 718.94 cents. Limit: 13-limit. MIDI pitch bend: 7,70
Author: Hyacinth
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00:09
*Thirty-ninth subharmonic on C = A. Just: 64/39 = 857.52 cents. Limit: 13-limit. MIDI pitch bend: 51,50
Author: Hyacinth
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00:09
Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.
Author: Hyacinth
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00:13
13-tet scale on C. MIDI pitch bend correct for intervals.
Author: Hyacinth
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00:09
*Hundred-ninety-fifth subharmonic on C = F. Just: 256/195 = 471.20 cents. Limit: 13-limit. MIDI pitch bend: 100,54
Author: Hyacinth
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00:09
*Hundred-forty-third subharmonic on C = B↓. Just: 256/143 = 1008.15 cents. Limit: 13-limit. MIDI pitch bend: 78,66
Author: Hyacinth
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00:09
*Sixty-fifth subharmonic on C = C. Just: 128/65 = 1173.16 cents. Limit: 13-limit. MIDI pitch bend: 52,55
Author: Hyacinth
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00:09
*Ninety-first subharmonic on C = F♯. Just: 128/91 = 590.65 cents. Limit: 13-limit. MIDI pitch bend: 0,61
Author: Hyacinth
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00:11
First 4 measures of the third movememt of Ludwig van Beethoven's Piano Sonata No. 8 in C minor (Pathétique), Op. 13.
Author: Hyacinth
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02:22
D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand
Author: Veronica van der Knaap, Christchurch, New Zealand
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02:29
Sung by Luiz Barbosa and Carmen Miranda. Odeon disc 11402.
Author: Ary Barroso
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00:16
Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach
Author: J.S. Bach
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03:54
Polonez A-dur op. 40 nr 1, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Čeština: Polonéza Fryderyka Chopina Polonaise Op. 40 No. 1 v podání pianistky Romualdy Greissové na klavíru Budynowicz z roku 1850. Polonaise Op. 40 No. 1, performed by Romuald Greiss on an 1850 Budynowicz piano. Polonaises, opus 40, n°1 de Frédéric Chopin, interprétées par Romuald Greiss sur un piano Budynowicz de 1850. Эрзянь: Полонез Оп. 40 No. 1, налксизе Ромуальд Грейсс, 1850 иестэ теезь Budynowicz фортопианасо. Українська: Полонез Op.40 №1 у виконанні Ромуальда Грайса на фортепіано Будиновича 1850 року, Забже, Польща.
Author: Untitled
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03:18
waltz by Chopin (Op. 64, No. 2). According to the little book in the CD cover the piano is a "Steinway grand". Paderewski was very associated with Steinway, he and William Steinway together created the program called Steinway Artists.
Author: Untitled
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06:37
Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1, 1832
Author: Untitled
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01:53
Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)
Author: No machine-readable author provided. Poniol60 assumed (based on copyright claims).
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04:39
Українська: Й.С. Бах. Фуга dis-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм. Johann Sebastian Bach: Fugue in D-sharp minor, BWV 853, from Well-Tempered Clavier, vol. I. Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)
Author: A1
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*Tridecimal 5/4 tone on C = D♯. Just: 15:13 = 247.74 cents. Limit: 13-limit.
Author: Hyacinth
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04:26
The Japanese song "Umi Yukaba" performed in 1941.
Author: Untitled
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04:24
Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: composer Johann Sebastian Bach (1685–1750); performer credited as guitarist Gordon Rowland for Musopen (according to User:Graham87)
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00:11
Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).
Author: Hyacinth
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00:08
A single bar from "Fugue No.17 in A flat", BWV 862, displaying contrapuntal polyphony. The piece is part of J. S. Bach's Das wohltemperirte Clavier, Part I. See: File:BachFugueBar.png
Author: Hyacinth (talk)
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05:41
Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: James Murray; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).
Author: Untitled
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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05:07
Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes
Author: Untitled
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19:13
Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)
Author: Untitled
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05:59
Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, II. Canzonetta (andante) Concerto in D Major for Violin and Orchestra, Op. 35, II. Canzonetta (andante)
Author: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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16:27
Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, I. Allegro moderato Concerto in D Major for Violin and Orchestra, Op. 35, I. allegro moderato
Author: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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